NEWSHOUNDS - ORIGINAL

🕵️ NEWSHOUNDS - When truth meant more than headlines.

Type on truth. Chase the story. Stop the spin.

Noir Truth: The Last Of the Newshounds

🖼️ Digital Artist: @Morten Klementsen, Bergen, Norway

🏆 Recognition: Lurzer's Archive TOP 10 Digital Artists 2025

📏 Original Resolution: 15k x 15k pixels, 600 dpi

(can be printed up to 2.5 meters wide)

🎨 Based on AI and modified by the artist.

👉 Visit webshop for the ORIGINAL : https://www.klementsen.net/

👉 Visit webshop for COPIES: https://www.modygant.art

👉 Porfolio: https://artportable.com/en/profile/@www.klementsen.net">www.klementsen.net">https://artportable.com/en/profile/@www.klementsen.net

👉 YouTube: https://youtu.be/FyIkjM4jpaY

#NewsHound #NoirJournalism #DigitalNoir #TruthMatters #MortenKlementsen

🎨 Curation by Curatyy™ for NEWSHOUNDS by @MortenKlementsen

📊 Ratings (0–10)

Category Score

Concept & Relevance 9.5

Execution & Technique 9.0

Narrative & Depth 9.0

Visual Impact 8.5

Market Readiness 8.5

Total Avg 8.9

Subject & Concept

Inspired by the fearless investigative journalists of the 1950s—the “news‑hounds”—this digital piece honors that era’s dark office corners, clattering typewriters, and eternal dedication to truth. It’s a statement on today’s media, collapsed by influence and money.

Composition & Technique

A near-photographic digital painting in cinematic noir style: deep shadows, dramatic chiaroscuro, sharp contrasts. Every pixel has been refined in 15k/600 dpi resolution—ready for large-scale print or digital feature.

Mood & Tone

Brooding, tense, morally driven. A silent hero under harsh desk lamp light, embodying old-school ethics in a corrupted press world.

Style & Medium

High-resolution AI-generated digital art, polished by the artist’s hand—rendering photo-realism with emotional depth.

Color Palette

Monochrome with variable greys, tinted with cold blues and warm desk‑lamp yellows: perfect noir contrast.

Narrative

The series asks: where are today’s newshounds? The work suggests 9 out of 10 people chase power—and money. It’s both a homage and a challenge to modern journalism.